Joan’s eerie voice is
still in my head, the lit tree house for lack of a better word and the end of
the film Hereditary.
You are Paimon, one of the eight kings of Hell. We
have looked to the Northwest and called you in. We’ve corrected your first
female body and give you now this healthy male host. We reject the Trinity and
pray devoutly to you, great Paimon. Give us your knowledge of all secret
things. Bring us honor, wealth, and good familiars. Bind all men to our will,
as we have bound ourselves for now and ever to yours. Hail, Paimon!
As to horror movies, I’m
a little divided. At the same time they talk of things I cannot believe in,
they also speak of the deepest truths we know. Hereditary was a brilliant
movie, and like all good movies it was not simply the surface content, but a
story of intergenerational trauma, beautifully acted in which, after layer of
layer of pain there is no redemption. I could not watch the whole movie, only the
highlights. I have a hard time wth movies in general, but especially movies
that are pretty chock full of despair and which, in the end, I can’t believe
in. I do believe in redemption, and I do believe in real and actual horrors,
but horror films are not things I can give a great deal of time to anymore.
One of my early film
memories was of the second Omen movie. Let me explain that I love my mother
dearly and she is not a total nut job, but she thought I just had to see it
when I was nine because she loved scary movies and she thought I should too.
You could even say her head was in the right place and she assumed I would know
the truth from fiction, and I did. I remember the scene where Damian confronts
his terrified cousin in the woods, but the more he cries out to him, the more
terrified Mark is, and Damian, angry and having fully accepted his mantle as
anti Christ, uses his power to give Mark and aneurysm. As the other boy
screams, clutches his head and crumples over dead in the snow, Damian has
crossed line from which he cannot
return. Amidst the screams and frights, as we see everyone close to Damian die,
is a chilling study of a boy being left alone to become a monster, something a
little too real in our present world. Damian is a much stronger version of
Peter in Hereditary who is also left alone at the mercy with dark inner forces.
In the editor’s cut of
the movie The Exorcist, the director talks of little details in the movie,
children wrecking a car and children out of line as if to say that the girl we
are going to meet later on is experiencing a very imminent possession, but the
rest of the world is experiences a minor possession too. Something has shifted.
Evil is real and evil is here. aSo I have a weird interest n those horror
movies with all of their devil worship and rejection of the Trinity and yet
there is a problem them for me. I cannot really be scared by them, not in any
authentic way. And I can only be disturbed by the unrelenting sadness, not the
demons, because the horror movie is a Christian construction. It is the methane
of orthodox Christianity, and if I am a Christian, I am an heretical one at best,
and so what they show me is a world I already lived in, but from a warped and
medieval Christian view
I mean, a lot of people
reject the Trinity. Unitarians for one, and though I find them a little useless,
I don’t find them demonic. I’m not
saying anything new but maybe I’m explaining why the genre of horror strikes me
as strange. Christians didn’t invent demons, not as we know them. That was
begun by the Jews who, as they gradually separated their religion from the
neighboring religions began to call not only other peoples’ gods, but other
names for God Israelites had decided not to use, demons. This view was
solidified by Christians in the middle ages who created books full of spirits to
be commanded by magicians, spirits with names like Ashtoroth and Beelzebub,
names which are corruptions of Canaanite names for their Gods or older
Israelites names for God.
I grew up with the story
of Elijah and his contest on Mount Carmel with
the priests of Baal. Elijah calls on Adonai and the Baal priests call on… well,
Baal. In the end Elijah wins and kills all the prophets. This scene is the quintessential
victory for right thinking belief in the one God, but I am not the first person
to ask: what is the difference between Adonai and Baal? Both had the exact same
qualities and both had the exact same place and people of worship. Both names even
mean the same thing: Lord. But one started with an A and the other a B. The
religious war between Elijah and the Baal’s followers is the precursor to the
long fight in the West about what names one calls God, what people the one who
calls to is allied with and how those on the other side are wrong at best,
deserving of death at worst, or maybe at worst, worshippers of demons.
Which is what the famous
Malleus Mallificorum states. The Hammer of the Witches, a diseased nightmare of
Catholic priests in the Middle Ages, stated that there were people out there
praying to the demons made up by Christians and Jews, that there were people
like our friend Joan in Hereditary
who knew that Christianity and the God of Orthodox Christianity was true, but
rejected the Trinity and worshiped devils instead. Because that is, in thr view
of medieval Catholic Europe, the only alternative to Christianity. This is the
ancestor of every horror movie from the seventies onward. Don’t forget, while
for two movies you are treated to Damien with gradual truer intention killing
all sorts of people including a couple of young teenage boys, in the end Jesus
shows up and makes it all right by killing Damien. Yes, that shit happens. The two priests in The Exorcist die and we get to see a bitch crawl backward up a
flight of stairs, but Jesus wins. Paul Blatty, writer of The Exorcist, said that he wanted to prove Jesus to people by
proving the Devil and writing something depraved. This is the nonsense wastewater
of Orthodox Christianity.
One of my favorite shows
was Penny Dreadful, or at least the
first two seasons. How mysterious and strange it was, how full of horror and
how interesting if they had come up with a new way of making horror, but in the
end we were back with the Devil, devil worshippers and Jesus. There is no doubt
that horror as we know it in the West is intimately linked with Christianity. I
was going to make an exception for Stephen King because I don’t actually read
him or watch movies based on his books, but I do remember beginning the Stand
and his remark that it was a tale of “dark Christianity”, so there you go. I
was going to make the film The Dybbuk
the only Jewish horror film I’ve ever heard of, an exception to this rule, but
then again, we’ve already talked about Judaism. Even American Horror Story—not particularly scary and not made by a
professing Christian, but by an ethnic Catholic, falls into the devil trope.
Even when made by people with only passing Christian beliefs, even when the
characters in the movie are not especially Christian, the horror movies
actually had an old trope: there is God, and there is the garden one should
stay in ,and outside of that garden are other forces, and these be devils.
The premise to the
classic horror movies—throw in Dracula and then remember that the whole
Frankenstein story was not originally intended to be horror—is that there are
people out there who light candles and pray to someone not affiliated with you
and your idea of God, and they are in fact evil and praying to the Devil. One
could dismiss this as silly except that witch burnings, long wars between
Catholics and Protestants that tore apart Europe, the complete destruction of
Catholic England, imperial wars that stamped out cultures including the Muslim
ransacking of India and America’s right to destroy native peoples and enslave
Africans and Asians came from this view of things. In truth, watching a teenage
girl in bathed in fake blood and humiliated at her prom destroy herself and her
enemies will always be terrifying but
only because in some small way it is an ensign of the real horror that comes
from bad thinking and the persecution of so called enemies that has bathed the
world in actual blood several times over.
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