We rise again from ashes,
From the good we’ve failed to do
We rise again from ashes
To create the world anew
If all our world is ashes
Then must our lives be true
An offering of ashes
And offering to you
This Ash Wednesday song
is the most beautiful I know. It reminds me of the Hindu devotee who sings to
the Dark One, “My Lord, since you love the burning ground, I have made my heart
a dancer on the burning ground.”
We offer you our failures
We offer you attempts
The gifts not fully given
The dreams not fully dreamt
We have offered the best
of what we had, best intentions, best education, best foot forward and it has
led to very little. After the fatted calf is slain, and after the incense is
burned what is left is these ashes, and the very ashes are our offering, the
failure and half done things, the half baked things we bring to God because
this is all we have. This doneness, the deadness, the something pasts its use
and past all hope is, oddly enough, the magical ingredient to make the
sacrifice whole and effective.
The links between Lent
and a time where those who practice magic offer sacrifice is as old as the
libel that druids practice human sacrifice on Ash Wednesday. There is a now
famous slightly tin foil hat theory about the The Season of Sacrifice, a time between the end of March ending on May Day when dark magicians engineer
war and bloodshed around the around the world. And though this may be largely
false, note that I am putting a heavy caveat on my denial of this. Note also
that, in many cultures, this actually is a time of sacrifice. The Christian
Easter and Jewish Passover are both holidays centered around a renewing and
redeeming sacrifice that ends one type of old life and begins a new one. Behind
and alongside these more known sacrifices are the story of Damuzi’s sacrifice
to bring Ishtar back to the other world and the return of Persephone the woman
of spring who descended to the dead in winter. There is no mention of the price
paid for her return to the earth, but one should note that she is linked to
Adonis, Adonai the Lord, and Adonis is another form of Damuzi. In the story of
Ishtar and Damuzi, the goddess of love, war and desires, descends to the realm
of her sister the Queen of the Dead. She cannot leave that realm until Damuzi
takes her place and becomes death’s king. In the tale of Adonis, the Queen of
the Dead, Persephone, fights over Adonis with Aphrodite the Goddess of Love and
desire. The characters are transplanted from the east to Greece and from
serious ritual contemplation to a semi comic story, but there is much about
death, life and exchange in this story as in the biblical story of Absalom,
forerunner of Christ who hung between earth and heaven, caught in a tree by his
hair and was murdered by his own kin when three javelins were driven into him.
And these are not the
only tales of sacrifice. From the north we have Baldur slain by mistletoe and
Odin offering himself to himself on Yggdrasil and these are just the European
tales. Whether we are talking about a Passover lamb, a crucified Jesus or
Damuzi snatched to the underworld, the story has a few factors in common. The
change of season in the earth mirrors a deeper change within us and within the
soul of the land—for it is not that the ancients were concerned with the earth
and not with spirit, but rather that they knew the earth was spiritual. Also
that, simple blood, simple killing is not adequate. Lambs blood, wine and
bread, fasting, are all signs of the sacrifice of the soul needed to renew the
soul, the offering to the Gods meant to sustain the God within, reconnect
heaven to earth by reconnecting the heaven and earth in ourselves. This Season
of Sacrifice, what will your offerings be?
POSTSCRIPT: AN ANNIVERSARY
"Because You love
the Burning -ground, I have made a Burning-ground of my heart - That You, Dark
One, hunter of the Burning-ground, May dance Your eternal dance."
~ Bengali Hymn~
~ Bengali Hymn~
Today is the conclusion
or perhaps fulfillment of one offering in particular. This is the one year
anniversary of Lapwing and Hound, also called Sickle and the Axe or Young
Tradition. The name has changed, but the journal which focuses on my practice
of the Mystery Tradition of 1734 has not. I wanted to make it to a year. I
never promised how often I would post or looked for readers. This was my
working out of my way, and I hoped that somewhere along that way it would be
helpful to others. What will come in the next year I cannot say. There will
probably be amendments and deeper dives into what we’ve already done, but there
we are, and for the moment there is certainly enough for me or any reader to
make he beginning stabs at following the path of the Young Tradition or making
a younger one still.
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